home *** CD-ROM | disk | FTP | other *** search
- <text id=90TT0697>
- <title>
- Mar. 19, 1990: In the Nick
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Mar. 19, 1990 The Right To Die
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 82
- In the Nick
- </hdr>
- <body>
- <qt> <l>BAD INFLUENCE</l>
- <l>Directed by Curtis Hanson</l>
- <l>Screenplay by David Koepp</l>
- </qt>
- <p> Last year James Spader made his first large claim on public
- approval with his portrayal of a delicately nuanced weirdo in
- sex, lies, and videotape. Around the same time, sometime
- brat-packer Rob Lowe made his first large claim on public
- opprobrium when it was revealed that he had staged a somewhat
- less formal drama--more of an improv, really--involving
- sex, lies and videotape in an Atlanta hotel room during the
- 1988 Democratic Convention. Now the two young actors are
- co-starring in something called Bad Influence, and guess what
- familiar items feature in its plot?
- </p>
- <p> Not that Bad Influence is an el cheapo exploitation film.
- It is more an el grande one. That is, it was in the works
- before either Lowe or Spader achieved his new level of
- notoriety, so its makers cannot be accused of cashing in on the
- former's troubles or the latter's triumph. It is, moreover,
- good looking in a chic, languid sort of way, and it is written
- with occasional wit and social awareness. Indeed, its literary
- credentials are, if anything, rather too impeccable: Spader's
- character, Michael, an analyst in an investment firm, is Faust
- at a computer terminal; Lowe's Alex, a sociopath of no fixed
- address, is Satan with a swell wardrobe and access to clubs
- where the action is not quite so hellish as director Hanson
- would like us to think.
- </p>
- <p> The big thing Alex teaches Michael is that life, unlike
- computers, is a nonbinary system, offering more than two
- possibilities for, say, getting a stalled career moving or
- dumping out of a too carefully programmed engagement to a dull
- girl. Spader, an awfully good actor, accomplishes the rare
- trick of making the good weak guy seem more interesting than
- the strong bad guy. In fairness to Lowe, however, he is not
- given much to do but lurk in the shadows and look menacing as
- he stakes his claim on a bedazzled soul. Alas, Bad Influence
- never persuasively explains why cautious Michael would let an
- obviously devious character like Alex so far into his life so
- quickly without checking his references. It is too busy putting
- on airs to deal with such practical matters. How one yearns,
- sometimes, for the subliterary bustle and forthright cheesiness
- of an old-fashioned B picture.
- </p>
- <p>By Richard Schickel.
- </p>
-
- </body>
- </article>
- </text>
-
-